Act 3 the Crucible

Act III- Irony During Act III of The Crucible, by Arthur Miller the central way that Miller depicts the corruption rooted at heart Salem is through the usage of the literary device, irony. The usage of personal pronouns inwardly this work of literature seems to indicate a sense of causality that the citizens have, versus the power found within the unknown. Parris says the following in secernate to encourage bloody shame Warren to cast out the devil, Cast the devil out ensure him in the face Trample him Well save you, Mary, only stand fast-flying against him and (109).The usage of the pronoun Well gives the reader a sense of authority that is held by the blue officials in Salem. Irony is plainly evoked because the entire idea of the trails is to sort the limits of the spiritual world within the town of Salem. The usage of personal pronouns reflects the flaws that seem to fuel these trials. The controversial topic of god rooted within these trials is dry in the sense that do ing the proper(ip) thing could potentially be invigoration threatening. Mary Warren proclaims that she loves god, after announcing her devilish pact, and says, No, I love idol I go your way no more.I love God, I invoke God. Abby, Abby, Ill never hurt you more (110). Salem becomes so profoundly rooted in lies that the idea of god becomes clouded for those who try to research the right thing. The choice between life and death, right and wrong, becomes diluted, making the right finalitys punishable. No matter what is confessed, someone will either have to bed with making the wrong decision, or die because a right decision was made. The figurative device of irony becomes reoccurring during act three in order to further show the reader the corrupt practices that are happening in Salem.