Wednesday, March 20, 2019

The Dictatorial Prospero of Shakespeares The Tempest Essay -- Tempest

The haughty Prospero of The Tempest motif often propels people to achieve high goals. Sometimes, however, demand is too sanitary a tool and can manifest into egotistical desires. The exploitation of the indistinct invariably results from the strong abusing their power, especially in a political setting. In William Shakespeares The Tempest, Prospero is displayed as a tyrannical subject who spawns a sinister storm as part of a autocratic scheme to determine his title of Duke of Milan. His subsequent treatment of each shell in the play, change surface his beloved daughter are purely establish on his egoistic motives. Prospero can be seen as an overbearing racist, as well as a usurper to land that does not break to him, but preferably to Caliban. Being that Prosperos nature is dictatorial, every aspect of his action concerns achieving his narrow and self-involved goals of regaining political power through his origin title of Duke of Milan. Prospero treats his late daughter, Miranda, in a controlling way by sheltering her from the outside human being and even devises a marriage for her to the son of his enemy, magnate Alonso to better his efforts of obtaining can the dukedom. Whilst Prospero is explaining how they once were royalty, he continually interjects Dost thou check me? (1.2.77) and Dost thou get a line? (1.2.106) to his acquies... ...ward. Prospero A Critical Study. 336-82. Cambridge Cambridge UP, 1991. Corfield, Cosmo. Why Does Prospero Abjure His Rough Magic, Shakespeare Quarterly. 36 (1985) 31-4 8. Curry, Walter C. The Characters of Shakespeares The Tempest, proterozoic Early Modern Literary Studies. Vers. 5.1. May 1999. Levin, Harry. Two Magian Comedies The Tempest and The Alchemist, Shakespeare retrospect . 22 (1969) 47-58. Miko, Stephen J. Tempest, ELH. 49 (1982) 1-17. Mowat, Barbara A. Prospero, Agrippa, and Hocus Pocus, English Literary Renaissance. 11 (1981) 281-3 03. West, Robert. The Mystery of The Tempest. Lexin gton UP of Kentucky, 1968. The Dictatorial Prospero of Shakespeares The Tempest Essay -- TempestThe Dictatorial Prospero of The Tempest Motivation often propels people to achieve high goals. Sometimes, however, motivation is too strong a tool and can manifest into selfish desires. The exploitation of the weak invariably results from the strong abusing their power, especially in a political setting. In William Shakespeares The Tempest, Prospero is displayed as a tyrannical character who spawns a disastrous storm as part of a grand scheme to regain his title of Duke of Milan. His subsequent treatment of each character in the play, even his beloved daughter are purely based on his self-centered motives. Prospero can be seen as an overbearing racist, as well as a usurper to land that does not belong to him, but rather to Caliban. Being that Prosperos nature is dictatorial, every aspect of his life concerns achieving his narrow and self-centered goals of regaining poli tical power through his former title of Duke of Milan. Prospero treats his young daughter, Miranda, in a controlling way by sheltering her from the outside world and even devises a marriage for her to the son of his enemy, King Alonso to better his efforts of obtaining back the dukedom. Whilst Prospero is explaining how they once were royalty, he continually interjects Dost thou attend me? (1.2.77) and Dost thou hear? (1.2.106) to his acquies... ...ward. Prospero A Critical Study. 336-82. Cambridge Cambridge UP, 1991. Corfield, Cosmo. Why Does Prospero Abjure His Rough Magic, Shakespeare Quarterly. 36 (1985) 31-4 8. Curry, Walter C. The Characters of Shakespeares The Tempest, Early Early Modern Literary Studies. Vers. 5.1. May 1999. Levin, Harry. Two Magian Comedies The Tempest and The Alchemist, Shakespeare Survey . 22 (1969) 47-58. Miko, Stephen J. Tempest, ELH. 49 (1982) 1-17. Mowat, Barbara A. Prospero, Agrippa, and Hocus Pocus, English Literary Renaissance. 11 (1981) 281-3 03. West, Robert. The Mystery of The Tempest. Lexington UP of Kentucky, 1968.

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